4/9/2023 0 Comments Hesperides st germain en layeis a Beijinger in her twenties, grown up in comfort with hardworker white-collar parents: she left home when she was a teenager as she felt she « has been left alone » (field notes, Sept. Insomnia (I, II, III ) and The Messenger, S.J.ĤThe shorts Insomnia (失眠 shimian I, II, III) and The Messenger (使 者 shizhe) by S.J.’s won the online DV competition Let the Bullets Fly ( 让子弹飞 rang zidan fei, ended in January 2011), under the guide words « gun » and « fly ». ’s Self Portrait, along with their experiences, are presented here as exemplifying cases: in between amateur and professional works, they are relevant both in images and in their relation to authors’ daily practices. The works by two young Beijingers, Insomnia (I, II, III ) and The Messenger by S.J. Yet, the more I saw videos, participated in post-screening debates in different cities and got familiar with authors and amateurs, the more I came up to the articulation between filmic practice and daily practices as experienced by post ’80 generation: the image became a starting point to investigate broader changes in (self)representation and global confrontation. In particular, I was interested in the need to leave a track (Ferraris, 2009), the tension towards writing an alternative memory opposed to the official narrative 6. (.)ģ When I began researching on Chinese independent films 3 and film festivals 4, I wanted to investigate the resistant and oppositional nature that apparently distinguished what had been defined as a movement 5.
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